Interview
Prior to the opening of Welcome Too Late, curator Toke Lykkeberg explains why Claude Monet is a painter of exponential growth and advices artists on how to keep up with this speedy world.
By Andreas Schlaegel
Interview
– Bergen Kunsthall would ideally sit within an ecology of spaces where everybody understands their responsibilities, says Martin Clark, who has accepted another term at the helm of Bergen Kunsthall.
By Pedro Gómez-Egaña
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Daniel Birnbaum.
By Daniel Birnbaum
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Pernille Albrethsen.
By Pernille Albrethsen
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Milena Høgsberg.
By Milena Høgsberg
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Fredrik Svensk.
By Fredrik Svensk
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: SQ.
By SQ
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Daisuke Kosugi.
By Daisuke Kosugi
Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Astrid Svangren.
By Astrid Svangren
Interview
– Now we see exactly how a mentally ill person can get into power, says Laurie Anderson, who visited Oslo last weekend to screen her film Heart of a Dog.
By Kristian Skylstad
Interview
Our memories are not independent of the media that preserve these memories, says Aleksander Provan, writer and editor of the web journal and publishing house Triple Canopy.
By Andreas Ervik
Interview
– Computers are not as exact as people think. They make the models a bit crazy, which I like, says German sculptor Thomas Schütte, whose retrospective at Moderna Museet opens to the public tomorrow.
By Robert Stasinski
Reply
29.09.16
Kristoffer Ørum wants less Eurocentrism at institutions while himself delivering a very Eurocentric analysis of Ibrahim Mahama’s art. The curators respond to Ørum’s critique.
By Bonaventure Soh Bejeng Ndikung, Lotte Løvholm and Solvej Helweg Ovesen
Interview
– I think that so many of our contemporary aesthetic categories reflect the fact that we don’t really know how we feel about things, says Sianne Ngai, this year’s Forart lecturer.
By Simen Joachim Helsvig
Interview
The key issue in Nicolas Bourriaud’s new book is the way exclusion affects visual thought. Kunstkritikk met him in Copenhagen for a talk about art and politics.
By Toke Lykkeberg
Interview
– The biennial format allows us to face globalisation head on, says Lars Bang Larsen, who is co-curator of the recently opened São Paulo biennial.
By Mathias Kryger
Interview
The first of Documenta 14’s Public Programs opens in Athens today. Kunstkritikk spoke to artistic director Adam Szymczyk during his recent visit to Karasjok.
By Simen Joachim Helsvig
Interview
– Art is not about mysticism, it is not about belief. It is literally about empirical facts, says Lawrence Weiner, whose exhibition at OSL Contemporary in Oslo opened yesterday.
By Sara R. Yazdani
Interview
– I like to understand the camera as a machinic-companion, says Elke Marhöfer, whose films are shown at Cinematiket and Fylkingen in Stockholm, today and tomorrow.
By Martin Grennberger
Essay
26.08.16
Art and finance's co-dependence isn't new. But as financial markets continue to abstract, art and finance increasingly look similar as they offer alternative sites for speculation.
By Peter Booth
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Kunstkritikk is published by Kunstkritikk Foundation ISSN 1504-0925

Editor-in-Chief: Jonas Ekeberg post@kunstkritikk.no

Kunstkritikk follows the Norwegian Press Association’s Rights and Duties of the Editor.

Kunstkritikk is supported by The Norwegian Arts Council, The Nordic Culture Fund, the Freedom of Expression Foundation, Oslo and the Danish Arts Council and the Swedish Arts Council.