The National Museum’s presentation of Sidsel Paaske reveals the contours of a new, cultural art history. But the method prompts doubts: Can the artworks not stand their ground outside a rhetorical scenography?
Lina Selander’s exhibition at Göteborg’s Konsthall shows that she is an enlightenment artist. Her work is about specific ways of creating distinctions and stopping the flow of images.
Johan Skoog’s exhibition about the late artist Richard Vogel emphasises working in common as a fundamental component of artistic practice.
The EMMA museum in Espoo, Finland, celebrates ten years since its inauguration with a new exhibition series about time, gaze and the imprints made by human conditions. The first edition oscillates between inertia and provocation.
An autumnal home story, a déjà-vu, and his trademark pastels: Marc Camille Chaimowicz furnishes his exhibition in sublime ambiguity, but the tyranny of our times pulls things into perspective.
Our memories are not independent of the media that preserve these memories, says Aleksander Provan, writer and editor of the web journal and publishing house Triple Canopy
The opening exhibition at Kunsthall Trondheim, this is a political (painting)
, advances a somewhat cautious take on body politics.
At Tensta Konsthall in Stockholm, Natascha Sadr Haghighian has created a space for the passions common to urban riots as a distinctly contemporary phenomenon.
Any painterly Eros in Sergej Jensen's paintings is necrophiliac by nature. The past served up as an outstretched hand that crumbles as you reach out to grab it.
The Museum of Modern Art in New York’s exhibition history, now available online, is an invaluable resource for the reading of curatorial practice, but we are being presented with a polished story.
A timely exhibition at Bildmuseet in Umeå takes a look at that which we cannot see, but which nevertheless impacts life on Planet Earth beyond the human scale.