16.02.17
Behind the decision to build a Hilma af Klint-museum there is a long-standing conflict between the artist’s living relatives and the anthroposophical movement in Sweden.
02.02.17
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
24.01.17
48 hours with teargas, helicopters, Bikers For Trump and the birth of a new kind of popular resistance.
19.01.17
Kunsthal Aarhus cancels the private view of its new Thomas Hirschhorn and Cécile B. Evans shows, remaining closed on 20 January as part of the international #J20 art strike.
06.12.16
– We give advice, but it’s their project, says Alexander Koch about New Patrons, an alternative model for the production of public artworks.
02.12.16
The city council of Helsinki has voted against the proposal for a Guggenheim Helsinki. The project will be remembered as a failed collaboration on cultural politics.
The contemporary art presented at the Sami anniversary was as much about mobilising for future struggles as it was about celebrating the past.
22.02.17
Myths of the Marble at Henie Onstad Kunstsenter boasts luminous algae, computer games and prosthetics. But a fondness for new technology gives it a rather one-sided swipe-friendly tactility.
Is the virtual synonymous with the digital? Myths of the Marble at Henie Onstad Kunstsenter, argues otherwise. Kunstkritikk spoke with the curators before tonight’s opening.
24.01.17
48 hours with teargas, helicopters, Bikers For Trump and the birth of a new kind of popular resistance.
26.01.17
Daily website updates is the optimum format for Skam. The autumn’s grand love story lasted three months and could only really be experienced once.
16.02.17
Behind the decision to build a Hilma af Klint-museum there is a long-standing conflict between the artist’s living relatives and the anthroposophical movement in Sweden.
24.02.17
Nya Karolinska har kantats av skenande kostnader och tvivelaktiga prioriteringar. Det verkar ha smittat av sig på konsten. Trots rekordbudget är utsmyckningen ett fiasko.
24.02.17
Nya Karolinska har kantats av skenande kostnader och tvivelaktiga prioriteringar. Det verkar ha smittat av sig på konsten. Trots rekordbudget är utsmyckningen ett fiasko.
20.01.17
By supplying art to the Police Immigration Detention Centre Trandum, KORO makes itself the extended arm of the government – not only as an organisation, but ideologically as well.
13.01.17
Democracy melts on the surface of a light-making machine. At Charlottenborg Hito Steyerl brilliantly demonstrates why: capitalism is realising the alchemists’ vision of commanding light.
09.01.17
– Bergen Kunsthall would ideally sit within an ecology of spaces where everybody understands their responsibilities, says Martin Clark, who has accepted another term at the helm of Bergen Kunsthall.
05.01.17
Philosopher Georges Didi-Huberman’s exhibition at Jeu de Paume in Paris eloquently communicates the intoxication of rising up for freedom. But do we really need connoisseurs of uprisings?
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Daniel Birnbaum.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Pernille Albrethsen.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Milena Høgsberg.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Fredrik Svensk.
REVIEWED EXHIBITIONS
Høvikodden
Umeå
Perpetual Uncertainty
Bildmuseet (til 17. April)
Reviewed by Jacob Lillemose