The artspace M/L, founded and run by Marie Karlberg and Lena Henke, organize one of the many independent exhibitions taking place in Venice during the biennial. We met them for a glass of Aperol Spritz.
Kasper Akhøj and Tamar Guimãraes are participating in the group show curated by Katerina Gregos in the Belgian Pavilion. We met them for an afternoon drink.
The ‘Post-Internet’ concept has entered mainstream consciousness – but how does it reflect on the status quo of art criticism today? Writers, critics and editors give their responses.
Runo Lagomarsino and Carla Zaccagnini’s exhibition at Malmö konsthall follows a comedic logic of displacement, but the result is mostly confined within the expected.
Before Post-Internet Art there was Internet Art. It is time to consider the links between the two.
– My ideal conversation partner in art is a stranger, says Bjarne Melgaard, who is currently exhibiting his art alongside that of Edvard Munch at the Munch Museum.
The triennial at the New Museum in New York did not deliver what you might expect – instead, it accurately diagnosed a generation, offering a reference point for the years to come.
– When you need a change, you should change to the opposite, from light to dark, from black to white, says Goutam Ghosh, who has his first show at Standard (Oslo).
– I wanted to treat the screen space as an affective material, says Lisa Tan, who participates in the New Museum Triennial, opening this week.
The New Museum Triennial opens this week. A post-ISIS baby, it comes into this world at a time of impending global economic and climate doom, yet it brings positive future scenarios.