Det ledende nordiske nettidsskriftet Kunstkritikk publiserer daglig kritikk, kommentarer og nyheter fra kunstfeltet. Updated daily, the Nordic contemporary art journal Kunstkritikk brings reviews, commentary and news.
– Let’s try to feel the exhibition. Then we might be able to see history from a different angle, says Marti Manen, who will curate the 10th Momentum biennial.
Even if the I am Queen Mary monument in Copenhagen is only installed temporarily for now, the monument has already memorialized a time in history that Denmark has been trying to forget.
– They will have to buy him out somehow, says contributing editor Daniel Birnbaum following the recent events surrounding the magazine’s co-owner, accused of sexual harassment.
The poster exhibition Between the Lines at the Oslo Academy of Fine Art fights misuse of power in the art world. Also, a Facebook group urges the Norwegian art scene to share its #metoo stories.
Public art is on the rise in the Nordic art scene, as Helsinki follows Oslo in starting a new biennial.
Chairman David Neuman is diplomatic as to whether Magasin III Jaffa, which opens tomorrow, will have a programme that is critical of the political developments in Israel.
– The art world has lost its bearings and forgotten that it’s all about art, says David Risley, who is now closing his Copenhagen gallery after 20 years in the business.
French artist and musician Félicia Atkinson’s exhibition at Krets in Malmö traces a series of drifts through the troubled landscapes of the American Southwest.
– I really love Copenhagen, but it’s so in
, in fashion, so I thought I had to shout ”out”, says Judith Hopf. OUT
opens at Statens Museum for Kunst tonight.
What is the legacy of 1968? Children of the Children of the Revolution
gathers five Nordic artists whose parents were active in the left movement of the 60s and 70s.
The most efficient images in Sille Storihle’s short film on teenage girls with ADHD is the intimate descriptions of restless heads, hands and feet.
The monument I Am Queen Mary
forces the Danish public to realize they no longer have the stage of history to themselves, while its reception shows that colonial memory remains a battleground
From Felt and Palmera via Slakt and Watch to Aldea – Bergen’s art scene is ripe with initiatives, but there is really no way to tell what an artist-run gallery really is or should be.
Authors Alberto Toscano and Jeff Kinkle recently visited Stockholm to discuss their book Cartographies of the Absolute
in relation to the contemporary, so-called post-truth condition.
– Planetary thinking is feminist thinking, state the curators behind Laboratory for Aesthetics and Ecology as they publish a book about hydrofeminism.
Latin American concrete art shows us how formal experiments, utopian ideas and social concerns can overlap in unexpected and dynamic ways.
Every alarm bell should be ringing when the art fair Art Basel wants NOK 3.4 million to tell us how to be more international.
Jordan Wolfson's work that created such bustle at the Whitney Biennial last year is on show at the Schinkel Pavillon in Berlin. But does it still work? Or is it yesterday’s news?
The 26 artists in the visually arresting New Museum Triennial 2018 in New York call out injustice but stop short of direct action.
Joachim Koester’s Bringing Something Back
at Bergen Kunsthall manifests a sensuous cinematic holism that merges everything from biology to history and neuroscience.
Olga Chernysheva’s work shown at Kohta in Helsinki conveys both maxims to live by and ephemeral encounters with minuscule events.